Sorry to Bother You is a timely meditation on class, race, privilege, and the momentum of the masses.
{ Comments on this entry are closed }
Sorry to Bother You is a timely meditation on class, race, privilege, and the momentum of the masses.
{ Comments on this entry are closed }
Hampered by characters that don’t make a lot of sense, a story that is a predictable, convoluted mess, and acting that wouldn’t pass muster in a traveling U.S.O. company, ‘Susu’ does just about everything wrong.
{ Comments on this entry are closed }
‘Return to Mount Kennedy’ simultaneously finds a way to relay an old story about American royalty while fleshing out one man’s journey to reinvent himself and reconcile the self-harvested demons of his past.
{ Comments on this entry are closed }
Thematically inconsistent at times, there’s two portions of ‘Afghan Cycles’: both of them considerate, important, and very well made.
{ Comments on this entry are closed }
‘Sadie’ is a film about a small community whose children are a litmus test for a bigger world moving in a dark direction.
{ Comments on this entry are closed }
‘The Russian Five’ is an engaging peek behind professional hockey’s iron curtain, and is stocked full of laughs, tears, blood, and stitches.
{ Comments on this entry are closed }
A half-Woke fever-dream populated by big ideas and half-finished epiphanies, ‘Bodied’ is a bad film with a lot of good ideas.
{ Comments on this entry are closed }