Eric Melin

The best picture and certainly the most raw, honest, and devastating film of last year is Michael Haneke’s Amour, released today in a crisp, hi-def Blu-ray that amplifies the formal design of one apartment building in Paris

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Tomorrow morning I fly to Finland to enter the dark horse competition in Oulu, Finland the night before the Air Guitar World Championships for one last chance at the world stage!

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A review of Shout! Factory’s excellent new DVD/Blu-ray re-issue of the 1975 sci-fi post-apocalyptic film ‘A Boy and His Dog’!

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What Maisie Knew is a perceptive adaptation of Henry James’ 1897 novel about a child stuck in the middle of a custody battle between divorced parents in London. If you want to see a film where secret service agents, military, and the highest ranking officials in the U.S. government are mowed down in bloody gunfire and subjected to humiliation, Olympus Has Fallen is for you.

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Elysium is the first film in four years from writer/director Neill Blomkamp, who tackles class warfare and features a host of other political hot-button parallels from immigration and healthcare reform to drone strikes, but also throws in some campy ultra-violence.

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Opening at the Alamo Drafthouse in Kansas City this weekend is a remarkable achievement in the genre of documentary filmmaking called The Act of Killing that must be seen to be believed.

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To watch Seconds is to enter a special kind of Hell that leaves no one unscathed. It indicts the money-grubbing culture of businessmen and the burgeoning hippie aesthetic as equally hollow with a simple, sinister premise.

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West of Memphis is a documentary that distills 19 years of a witch hunt, a grass roots movement, lost leads, confusion, countless appeals, and hope into one remarkable movie that is hellbent on setting the record straight. Co-produced by Peter Jackson, one of many WM3 supporters who lent not only his money and time but considerable investigative effort to free the wrongly convicted Echols, Jason Baldwin, and Jessie Misskelley, it is a film with enough fervor for all three Paradise Lost movies.

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Two horror movies out Tuesday on DVD and Blu-ray take completely different approaches, though neither is wholly successful.

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2 Guns certainly doesn’t reinvent the buddy-cop genre, but it does play to its strengths without taking itself too seriously, which is where many of its brethren get tripped up.

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The new Criterion Blu-ray of Ang Lee’s ‘The Ice Storm’, with its excellent transfer and illuminating features, should raise the film’s stature as a modern classic.

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Here’s my KCTV5 review with clips from ‘The Wolverine,’ as well as my capsule print review from Lawrence.com.

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Any way you look at it, Grant’s shooting is an awful tragedy, and debates about the whether the amount of time served by the man who shot him was enough (11 months of a 2-year sentence) are completely warranted. Coogler’s intention, however, for this film is clear: to give voice and dignity to Oscar. This isn’t the story of two people and their chance trajectories ending in tragedy. It’s the story of the victim.

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The directing debut of Nat Faxon and Jim Rash, The Way, Way Back is a charming coming-of-age film that overcomes a lot of pitfalls of the genre because its protagonist is so beautifully inexpressive and uncomfortable to begin with that when he finally does make the small strides needed to come out of his shell, it feels like a huge triumph.

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‘A Hijacking’ is a fictional film that hits both with blunt force and a surprising amount of complexity, built around two sides of a terrifying conflict—the hijacking of a cargo ship in the Indian Ocean by Somali pirates.

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