Moritz Mohr’s ‘Boy Kills World,’ starring Bill Skarsgard, is a hilarious, hyper violent, genre-bending romp supported by excellent cast and top-notch voiceover.
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Kate Valliere
Alex Garland’s “Civil War” is an immersive dystopian think piece.
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‘Five Nights at Freddy’s’ delivers fan delight, but it’s PG-13 rating and odd origins make it kind of weird for the rest of us.
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‘Oppenheimer’ continues Nolan’s streak of exceptional movie production.
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Alex Garland’s ‘Men’ turns gender archetypes into thought-provoking body horror.
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Mike Mills’ ‘C’mon C’mon’ is one of the most intimate, charming movies of the year thanks to top notch performances and gorgeous cinematography.
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‘The Personal History of David Copperfield’ has a talented, diverse cast, but is too frenetic to connect with.
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The kids will have fun at ‘Spies in Disguise.’
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It’s pretty awful, but ‘Cats’ is somebody’s kink, somewhere.
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‘The Current War: Director’s Cut’ might be more electrifying with a better edit.
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‘First Love’ doesn’t measure up to Takashi Miike’s former glory, not even as the Tarantino homage it’s being marketed as.
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Joaquin Phoenix’s brilliant turn in Joker feels like a bait and switch as mental illness takes the stage over Batman canon.
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Renée Zellweger is incredible as Judy Garland in moving biopic with Finn Wittrock, Michael Gambon and Jessie Buckley.
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The film is a series of ‘let’s escape, oh we made it, let’s have a meaningful moment’ cycles that get pretty tedious.
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‘Love, Antosha,’ a documentary about late actor Anton Yelchin, gives a multi-dimensional portrait of a talent gone too soon.
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