Nick Spacek

On Thursday, November 14, Middle of the Map Fest presents a 35mm screening of Empire Records at the Alamo Drafthouse Mainstreet. Antennas Up will be playing songs from the movie — we asked, but they won’t tell us which ones. Mills Record Company will have a pop-up shop in the lobby.

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The 1983 hip-hop film Wild Style has its 30th anniversary this year and Chicago-based Music Box Films is releasing a bad-ass double-disc DVD set to celebrate on October 1. (It’s also available on VOD.) It’s a remastered version of the seminal movie, and the DVD extras include live performances, interviews, and a detailed booklet.

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This Saturday sees the release of the documentary Last Shop Standing: The Rise, Fall and Rebirth of the Independent Record Shop via Blue Hippo Media. This film is the official film of this year’s Record Store Day.

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These face-melting movie scenes count as some of the first real glimpses many of us had for gore. Despite the fact that you now see on prime-time television scientifically correct images of what happens when a body is rent asunder by an number of accidental causes, there’s something to be said for the cartoonish, yet horrendous manner in which a face just drips right away.

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I’m Now stays focused on Mudhoney. While Nirvana, Pearl Jam, et al are mentioned, it’s only when they’re pertinent to the narrative. At no point do the directors attempt to make this a more commercial film by making it about Mudhoney’s more well-known contemporaries.

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Michael Caine and Peter Billingsley headline two obscure cult thrillers from the 1980s out now on Blu-ray and DVD courtesy the Scream Factory arm of Shout! Factory. Do they hold up?

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All of the stories and line-up changes and drugs and alcohol abuse are recounted in My Career As A Jerk, and with minimal glossing-over.

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With the new documentary  Screaming In High Heels — out now on DVD from Breaking Glass Pictures — director Jason Paul Collum has done more than just chart the rise of “The Terrifying Trio” of cult actresses Brinke Stevens, Michelle Bauer, and Linnea Quigley. Collum has also created a film that shows the decline of the grindhouse, […]

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The special effects are what set Zombie A-Hole apart. Thanks to ever-more-powerful home computers, effects in your standard indie horror flick are better than some straight-to-video or SyFy original movies.

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Thursday, August 16, via Fathom Live, RiffTrax will tackle what is widely considered to be one of the worst movies ever made: ‘Manos – The Hands of Fate.’ The movie perpetually ranks as one of the top MST3K episodes of all time, so we were curious as to why the RiffTrax crew would want to tackle it again.

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This isn’t an objective documentary. It’s packaged with a short fictional film, and all of the band’s videos. As an official band doc, Bring On the Mountain is a slightly glossy production, rather than a “warts and all” affair.

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Arguably, the insular nature of Spokane, Washington — isolated as it was — is what the music-scene documentary SpokAnarchy! is attempting to represent and reproduce. Unfortunately, it comes off as being a tale of people you’ve never heard of, referencing people with whom they’re familiar, but you’re not.

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Patty Schemel of Hole has the remarkable fortune of having videotaped the hell out of her musical career. Wanting to document all the places the band traveled, she took a video camera with her and taped everything.

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In Europe, board games are serious business and their creators are like rock stars. ‘Going Cardboard’ is a new independent documentary about the wild world of board games.

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Director Amy Oden’s documentary on women in punk, ‘From the Back of the Room,’ is one of those films that you have to seek out. It’s currently screening in various theaters across the country, and can be purchased on DVD.

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