With the release of BFI’s 2012 Sight & Sound Critics’ list of the Top 50 Greatest Films of All Time, and their 2012 Sight & Sound Directors’ Top Ten, everyone has gone list crazy. What are your faves of all time?
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Scalene, the feature debut for director Zack Parker, is a genre bending film that is part psychological mystery, part character drama and stars Hannah Hall and Margo Martindale.
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Trey talks to Matt Harfield and Wyatt Garfield about what it’s like to work with a committed crew that is responsible for one of the best films so far in 2012.
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The mixture of talents that went into ‘Beasts of the Southern Wild’ create a stunning and poetic work.
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The overall result of ‘To Rome with Love’ is a funny film whose contrivances make no excuses for themselves, and whose jokes have a substance that a viewer could ponder for sometime after leaving the theatre.
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If you love Anderson’s previous work, you’ll be very happy with ‘Moonrise Kingdom.’ If you’ve been on the fence about his films since ‘Rushmore,’ then if you can make it through the first half you should be happy with the final half.
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If you’ve always been attracted to the allure of the New York rom-com, then you may have a new indie favorite in ‘Lola Versus.’
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‘Sound of My Voice’ is an emotionally complex and challenging film, and a perfect way to avoid summer’s wearying action films.
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Wacthing ‘The Avengers’ is like watching director Joss Whedon play with really expensive action figures.
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‘The Pirates! Band of Misfits’ is a solid family option that thankfully contains enough smart content that it should keep parents entertained too!
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Nominated for Best Foreign Language Film of 2011, ‘Footnote’ explores the relationship of a father and son who have become bitter scholarly rivals.
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Gareth Evans, director of ‘The Raid: Redemption’ doesn’t care about pushing the constraints of the action genre. He only intends on crafting a film so fast paced and action packed that it will make your sides cramp.
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How does a film, which has a critically lauded director, an Academy Award winning writer, and a handful of very talented British actors and actresses, fizzle to a thin and mediocre flatness? ‘Salmon Fishing in the Yemen’ is a how-to guide.
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The overt and handsy camera work and lack of any satisfying emotional appeal in ‘Jeff, Who Lives at Home’ undermine the strength that it could have had.
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’21 Jump Street’ has no right to be anything other than a furtive Hollywood cash-grab, but instead it’s a pleasant surprise for lovers of smart, quirky, sometimes vulgar comedy.
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