If you’re having thoughts of “Harold and Maude,” it’s no wonder. Most of ‘Restless’ seems like a younger version of Hal Ashby’s classic awkward, yet touching romance.
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Trey Hock
If you need a solid political thriller, with acceptably mediocre direction and some great acting, then ‘The Ides of March’ should satisfy.
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I have a simple rule of thumb when it comes to discussing and analyzing movies about cancer. Does the film work, is it compelling, if you replace cancer with something else? If the characters still hold your interest, and the situations they find themselves in move us more deeply into the story without the big […]
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Coming of age stories often come in two forms. Some explore the expansion and depth of a life just begun. Films like “My Life as a Dog” follow young adolescents as they blossom into a proto-sexual adulthood. The other type of coming of age story deals with the fleeting nature of life. In films like […]
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“Drive” is probably gonna piss off a lot of casual movie-goers.
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With most films about sickness or contamination, the virus is employed as a socio-political metaphor either for other more emotionally charged illnesses such as HIV or for the fear and distrust surrounding cultural, ethnic or racial lines. In his new film “Contagion,” director Steven Soderbergh understands that a global epidemic is scary enough on its […]
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For 1 Year, 100 Movies, contributor/filmmaker Trey Hock is watching all of AFI’s 100 Years, 100 Movies list (compiled in 2007) in one year. His reactions to each film are recorded here twice a week until the year (and list) is up! I am sorry I’ve been away from my column 1 Year, 100 Movies […]
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As a mediocre to dismal summer for films marked by remakes, reboots, and revisits comes to a close, “The Debt,” a movie chock full of the familiar – international espionage, maniacal Nazis, and beautiful counteragents – arrives in theaters. Can three Israeli operatives stationed in East Germany to hunt a notorious war criminal save the […]
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“The Devil’s Double” takes a healthy production budget and a compelling true story complete with a character in impossible psyche-ravaging situations, and manages to turn a sure win into a dud. Based on the life of Latif Yahia, the double for Saddam Hussein’s psychopathic son Uday, “The Devil’s Double” should have been a fascinating character […]
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“Sarah’s Key” tells two intertwined stories. The first takes place in present day Paris. Julia Jarmond (Kristin Scott Thomas), an American journalist, lives with her architect husband, Bertrand Tezac (Frédéric Pierrot). While they renovate an apartment that has been in Bertrand’s family since the 1940s, Julia, for one of her articles, investigates the infamous Vel’ […]
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Nick (Jesse Eisenberg), a mild mannered and lead-footed pizza delivery guy, has lost his way. While his friend Chet (Aziz Ansari) has finally landed full time employment as a Jr. High teacher, and Kate (Dilshad Vadsaria), the girl he’s in love with and Chet’s sister, just got an opportunity that will take her to Atlanta, […]
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Director Michael Rapaport has created a labor of love. “Beats Rhymes & Life: The Travels of a Tribe Called Quest” is the rare documentary that balances adoration and honesty as it takes the viewer on a journey through the career of the influential hip-hop crew, A Tribe Called Quest. The story begins in 2008 during […]
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For 1 Year, 100 Movies, contributor/filmmaker Trey Hock is watching all of AFI’s 100 Years, 100 Movies list (compiled in 2007) in one year. His reactions to each film are recorded here twice a week until the year (and list) is up! There was something incredible going on in 1939 in Hollywood. Call it naïve […]
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In it’s first few minutes, “The Change-Up” gives the viewer a glimpse of a CGI animated baby anus, which, as anticipated, shoots an incredible amount of crap into the surprised face of Dave (Jason Bateman), the exhausted father. When Dave opens his mouth to argue with his child’s backside, a final push fills his mouth […]
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“Crazy, Stupid, Love” may have one of the lamer and lazier titles given a film this year, but that is exactly the point. This film embraces many of the clichés of sexually driven romantic comedies, but in doing so comments on and critiques them. Just take a scene that occurs in the middle of the […]
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