Few actors could lay claim to a more storied and dynamic a career, so it seems perfect that Harry Dean Stanton would go out giving a performance about an old man’s triumphant claim of victory on a life well lived.
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Writer/director Ryan Eggold is toying with some interesting stuff with all this, yet the emotional and thematic dots just don’t quite connect.
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Opening this week at the Screenland at Tapcade after a successful run in the festival circuit, Zoology is a headscratcher, but an admittedly interesting one. What it lacks in thematic focus it almost makes up for with its concept and fantastic cast…almost.
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A quiet, cerebral meditation on poverty, adolescence, gang culture, and “family,” Dayveon tells a complicated story in a startlingly accessible way. Opening Sept. 22 at the Screenland at Tapcade.
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‘Second Nature’ is a woefully under-baked concept set in an absurd world that is entirely disconnected from reality.
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Anchored by the performance of Lake Bell, who also wrote and directed the picture, I Do…Until I Don’t (opening today) recycles the mockumentary formula yet never comes off as redundant or familiar: an admirable feat, to say the least.
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Pilgrimage does a fine job side-stepping expectations and injects some 21st century life into a 13th century story.
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After Love transcends culture and language to tell a story that is as universal as the very concept of love itself. Come for the drama, stay for the humanity: it’s worth it.
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For non-New Yorkers looking for something more than just a car-wash-style march through the sitcom talking points of young adulthood and infidelity, ‘Landline’ might come off as somewhat lacking.
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‘Fun Mom Dinner’ knows what it wants to do, and goes after it with a fearless attitude and hard-R-rating sensibilities.
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The Skyjacker’s Tale is a captivating investigation of race and class in the Caribbean, as well as an informative unpacking of what it means to reform and mature.
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Opening this Friday, The Exception is a smart, engaging romp through World War II and one officer’s struggle with romance, nationalism, and realpolitik.
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A tender coming of age tale stocked with a few poignant surprises, the Italian comedy, Feather (Italian: ‘Piuma’), will inevitably draw comparisons to like-minded pictures such as Juno or Knocked Up.
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This feels like the movie Sam Elliott has been waiting his whole life to make, which, if true, worked out well for the guy. He’s never been better.
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The dark-comedy Going to Brazil follows the misadventures of a group of female friends during pre-wedding celebrations. It side-steps softer, more light-hearted comparisons like The Hangover or Bachelor Party, and improving on darker one-dimensional examples like Very Bad Things or Stag.
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