The story of a young husband and wife’s struggles through the personal and professional speed bumps encountered in most marriages during the early just-had-a-kid years, ‘A Song Still Inside’ opens today at SIFF 2013.
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Cullen Hoback’s new documentary, Terms and Conditions May Apply, holds that the proliferation of information via the Internet is being used to bilk people and, worse, rob them of their freedoms.
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The practical effects and location shooting only further enhance and lend gravitas and a sense of authenticity to The Deep. Having played at this year’s Seattle International Film Festival, it’s in the running for the best film going at that event this year.
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Henrik in The Almost Man is a perpetual man-child whose mid-life angst and rudderless existence is on par with anything Will Ferrell, Seth Rogen, or the like ever pulled off.
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This is not something one might eagerly to recommend. For a Peter Greenaway fan, yeah: this might be right up your alley. For pretty much everyone else, prepare yourself for one of the weirdest, most obscene, nonsensical cinematic journeys of your life.
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‘The Punk Singer’ is a new documentary showing at this year’s Seattle International Film Festival, and it argues that an important piece of rock and roll’s early-90s historical puzzle lies in the punk movement’s feminist roots, and its undisputed champion, Kathleen Hanna.
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C.O.G., a short story from Sedaris’ 1997 collection of essays Naked, is the progeny of this slow-simmered hype, and does about as well as a Sedaris fan might hope for; the story of a recently minted Yale grad looking for a taste of the genuine American experience
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Currently playing at this year’s Seattle International Film Festival, Imagine should keep audiences engaged, for cinema about blind characters has never looked so good, nor felt this fresh.
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Things got considerably crazier when Joss Whedon made his appearance, however, for as wide-eyed as everyone was at the sight of Captain Mal from Firefly, the evening’s guest of honor stole almost every gaze once he hit the red carpet.
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The mix of a snow-stained winter setting, lost money, drugs, and pitch-black comedy gives Fuck Up (Et Slags liv) a distinctly Coen brothers flavor: a comparison the movie seems proud of.
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The whole movie feels like one of those badly managed high school theatricals where it’s considered a victory if everyone at the back of the gymnasium can hear the actors.
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Kansas City FilmFest 2013 starts tomorrow at the Alamo Drafthouse Mainstreet , and here’s a review of one of the festival’s films, ‘The Discoverers’ starring Griffin Dunne.
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When it is at its best, the film finds the perfect symbiotic balance between Kerouac’s prose and the solemn beauty of the open road, where the adventures of a young dreamer plant the seeds of not only one man’s future, but an entire generation of literary hopefuls.
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A celebration of the most ludicrous, impractical, destructive, ineffective military organizations in movie history. While some of the films featured were pretty decent, and others were decidedly not, they all had one thing in common: they featured an armed collective so laughably inept that they stood out amongst even the most impractical government organizations.
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Some honorable mentions that didn’t quite clear the quality bar included Holes, The Indian in the Cupboard, Watership Down, Stuart Little, Where the Red Fern Grows, Little Red Riding Hood, Bridge to Terabithia, Winnie the Pooh (2011), Horton Hears a Who, Coraline, Curious George (2006), How the Grinch Stole Christmas, Charlotte’s Web, and Hook (Peter Pan deserves better).
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