Warren Cantrell

‘Promising Young Woman’ is an exploration of sexual assault and accountability in a post-#MeToo era aware of the present yet largely foggy on the past.

{ Comments on this entry are closed }

‘Greenland’ is an emotional, prescient suspense drama that’s got no right being as good as it is.

{ Comments on this entry are closed }

Anchored by a career-best performance by Mikkelsen and a thoughtful script that understands its characters, ‘Another Round’ is black comedy at its best.

{ Comments on this entry are closed }

‘Sound of Metal’ is an outstanding film that explores not just the struggle of addiction, but the addiction of struggle.

{ Comments on this entry are closed }

There’s more good than bad in ‘The Dark and the Wicked,’ and a lot of heart behind the effort.

{ Comments on this entry are closed }

Sacha Baron Cohen is indeed back as his most famous alter-ego, Borat, exposing America’s darkest impulses in this sequel to the 2006 smash hit.

{ Comments on this entry are closed }

Stand-up comedy is friggin’ hard, sure, yet it pales in comparison to the difficulty of making a film about it, which ‘The Opening Act’ demonstrates.

{ Comments on this entry are closed }

‘The Devil Has a Name’ has a few bright spots thanks to its cast, yet never manages to bring all its pieces together in a way that makes good use of them.

{ Comments on this entry are closed }

Post image for Top 10 Pandemic Movies

Top 10 Pandemic Movies

by Warren Cantrell on September 11, 2020

in Top 10s

Today’s Top 10 list is a celebration of the films that got pandemics more or less correct from the micro or macro (or both) side of things.

{ Comments on this entry are closed }

A quick-cut assault on the senses brimming with flashbacks and text overlays, ‘Get Duked!’ feels like an 85-minute TikTok video.

{ Comments on this entry are closed }

A genre-bending romp through the old west that mixes cowboys with cauldrons, ‘The Pale Door’ is bloody good fun.

{ Comments on this entry are closed }

A suspense thriller desperately short on suspense, ‘The Silencing’ feels less like a fully formed movie and more like the first cut of a first draft.

{ Comments on this entry are closed }

‘The Tax Collector’ has an interesting premise, yet is a cobbled together mess of almost-art that recycles interesting components of better work.

{ Comments on this entry are closed }

‘Yes, God, Yes’ is a decent flick that takes a run at a very real, albeit uncinematic, moment in every person’s life (sexual discovery).

{ Comments on this entry are closed }

If a person ever asked themself what it might have looked like if Alfred Hitchcock screwed around in the slasher genre, ‘The Rental’ might be the ticket.

{ Comments on this entry are closed }