A suspense thriller desperately short on suspense, ‘The Silencing’ feels less like a fully formed movie and more like the first cut of a first draft.
{ Comments on this entry are closed }
A suspense thriller desperately short on suspense, ‘The Silencing’ feels less like a fully formed movie and more like the first cut of a first draft.
{ Comments on this entry are closed }
‘The Tax Collector’ has an interesting premise, yet is a cobbled together mess of almost-art that recycles interesting components of better work.
{ Comments on this entry are closed }
‘Yes, God, Yes’ is a decent flick that takes a run at a very real, albeit uncinematic, moment in every person’s life (sexual discovery).
{ Comments on this entry are closed }
If a person ever asked themself what it might have looked like if Alfred Hitchcock screwed around in the slasher genre, ‘The Rental’ might be the ticket.
{ Comments on this entry are closed }
‘Mr. Jones’ is a well-acted, timely, and important film that nevertheless finds itself bogged down by the larger narrative and choppy character work.
{ Comments on this entry are closed }
Well shot, tightly scripted, and superbly acted by Joseph Gordon-Levitt, ‘7500’ soars.
{ Comments on this entry are closed }
A blood and gore-soaked romp through a Home Alone-esque scenario with 21st century sensibilities, ‘Becky’ is all sorts of fun.
{ Comments on this entry are closed }
A jumbled, chaotic mess of imagery, character sketches, bad jazz, and even worse storytelling, ‘Adrift in Soho’ is just that: adrift.
{ Comments on this entry are closed }
A slow-burn psychological odyssey through the mind of one man with the power to liberate a nation, ‘The Man Standing Next’ does more right than wrong.
{ Comments on this entry are closed }
A feel-good story based on real events and people, ‘Military Wives’ is often breezy, sometimes poignant, and rarely offensive.
{ Comments on this entry are closed }
‘Deerskin’ is a brutally weird movie with a rambling narrative that often feels more interested in its thematic elements than its plot and character ones.
{ Comments on this entry are closed }
Interesting, though a bit fragmented during its final 10-15 minutes, ‘The Quarry’ feels like Cormac McCarthy Lite.
{ Comments on this entry are closed }
A Carpe Diem fever dream about love, loss, failure, fate, and time travel, ‘Same Boat’ is a delightful little surprise.
{ Comments on this entry are closed }
A sci-fi suspense thriller that’s as interesting as it is ambitious, Vivarium probes the evolving nature of the human condition and notions of “home.”
{ Comments on this entry are closed }
‘The Postcard Killings’ is little more than a rote, paint by numbers serial killer thriller with stock elements most have seen before.
{ Comments on this entry are closed }