‘Unplugging’ is a Hallmark movie that tries to have a little edge. The themes are out dated and the comedy falls flat. Matt Walsh and Eva Longoria struggle to hold onto the chemistry that can make a film about a couple’s digital detox work.
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‘The Northman’ might be a little too bloody or juicy for some, but that’s only because Eggers has left so much for audiences to sink their teeth into.
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‘Ambulance’ is fun enough at times to justify its existence, yet remains tonally inconsistent with a dash of thematic schizophrenia.
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Full of laughs from beginning to end and supported by a top-notch cast, one could do worse than spending a few hours getting lost with Channing and Sandy.
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Take “Boogie Nights” and mix it with “The Texas Chainsaw Massacre” to give you a product of shocking discovery.
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Too much lurking around sinks this ‘Deep Water’ down hard.
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Pixar deals with the most challenging thing in life: growing up and turning into a giant red panda!
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Blessed with a simple conceit (stuck on a haunted island with no way off), ‘Offseason’ never comes close to bringing all its disparate elements together.
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‘The Batman’ is a mixed bag, and too often forgets what makes its eponymous superhero so interesting in the first place.
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‘The Burning Sea’ matches the scope and vibe of its Norwegian disaster film predecessors while not quite clearing the same bar on quality.
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‘Big Gold Brick’ suffers from an unsympathetic, emotionally frantic lead and about six-too-many subplots within a broader story that can’t manage them.
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‘Death on the Nile’ is a slow cruise on a river of doom.
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Mr. Moon takes a trip.
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[Rating: Minor Rock Fist Down]Only in theaters Friday, February 11 Yawn. That was my first reaction when the credits rolled on Death on the Nile, the follow up to 2017’s Murder on the Orient Express, and yet another adaptation of Agatha Christie‘s great body of work. Unfortunately, the film is unable to breathe the same […]
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‘Jackass Forever’ somehow remains timely, side-splittingly funny, and absolutely, 100% essential.
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