‘Don’t Look Up’ hits too close to the COVID mark, inviting its audience to live in a fictional hell only slightly worse than their reality.
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Reviews
Mike Mills’ ‘C’mon C’mon’ is one of the most intimate, charming movies of the year thanks to top notch performances and gorgeous cinematography.
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“Silent Night,” the new festive, apocalyptic film, is an only-sometimes-successful dark comedy.
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‘Macbeth’ is built like some kind of cinematic fantasy sports lineup and executed with all of the ease of an all-star team playing a no-pads scrimmage.
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The making of the greatest tennis players of all time.
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‘tick, tick…BOOM!” tells the life of an artist who wanted so much, but sacrificed the little slice of love and friendship to find his momentum.
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[Rating: Solid Rock Fist Up] In theaters only on November 19 I’m going to preface my review by just noting that I have had an undying love for Ghostbusters since I saw it on the big screen at Bannister Square in Kansas City, Mo. in 1984. I tolerated and accepted the weaker sequel and even […]
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In Kenneth Branagh’s sublime film ‘Belfast’ he uses a young lad in 1960s Ireland to tell his own story of growing up through troubling times.
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‘The Beta Test’ is a peek behind the showbiz curtain, looking less at the product and more at the obsolete machinery struggling to churn it out.
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An interesting if somewhat under-baked story with captivating imagery and unparalleled needle-drops, ‘Last Night in Soho’ is decent if unspectacular.
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Exciting, interesting, transportive, and seemingly pulled straight out of the mind of Frank Herbert, ‘Dune’ is the sci-fi experience of the season, and the movie fans of the book deserve.
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This ‘Sopranos’ movie prequel maintains the texture and voice of the groundbreaking show while never achieving its character or story depth.
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St. Vincent and Carrie Brownstein wrote and star in ‘The Nowhere Inn,’ a meta-mockumentary about the absurdity of stardom and celebrity. Full of humor and the occasional suspense, Clark and Brownstein work wonders together.
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‘The Eyes of Tammy Faye’ showcases the best performances of its leads’ careers, utterly wasting them on branded image propaganda.
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Dom Toretto thought he’d left his outlaw life in the rear-view mirror, but not even he can outrun the past. When his forsaken brother Jakob unexpectedly resurfaces as an elite assassin, the crew comes back together to help Dom confront the sins of his own past and stop a world-shattering plot.
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