Narratively rich and stocked with complex characters played by actors at the top of their games, ‘Parallel Mothers’ is as fascinating as it is moving.
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Reviews
‘Dawn Raid’ offers up a slick, interesting, and engaging floor-model documentary that does all the expected things, yet does them exceptionally well.
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Plagued with a main character problem and some clunky exposition, the sum of the parts for ‘See For Me’ amounts to a surprisingly good time.
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Keeping in mind that there’s been an entire generation of movie-goers since 2003’s ‘The Matrix Revolutions’ was on screen, it may not play as the “greatest hits” compilation that it will for older patrons.
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‘Spider-Man: No Way Home’ offers a satisfying endcap to not just Holland’s trilogy, but for the Spider-Man character writ large.
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Spielberg’s reimagining of a classic is a flat-out masterpiece.
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The whole world loves Lucy. When Lucy’s career and marriage are threatened, what will Lucy and Desi do to save their personal lives?
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‘Don’t Look Up’ hits too close to the COVID mark, inviting its audience to live in a fictional hell only slightly worse than their reality.
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Mike Mills’ ‘C’mon C’mon’ is one of the most intimate, charming movies of the year thanks to top notch performances and gorgeous cinematography.
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“Silent Night,” the new festive, apocalyptic film, is an only-sometimes-successful dark comedy.
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‘Macbeth’ is built like some kind of cinematic fantasy sports lineup and executed with all of the ease of an all-star team playing a no-pads scrimmage.
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The making of the greatest tennis players of all time.
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‘tick, tick…BOOM!” tells the life of an artist who wanted so much, but sacrificed the little slice of love and friendship to find his momentum.
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[Rating: Solid Rock Fist Up] In theaters only on November 19 I’m going to preface my review by just noting that I have had an undying love for Ghostbusters since I saw it on the big screen at Bannister Square in Kansas City, Mo. in 1984. I tolerated and accepted the weaker sequel and even […]
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In Kenneth Branagh’s sublime film ‘Belfast’ he uses a young lad in 1960s Ireland to tell his own story of growing up through troubling times.
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