In “Four Good Days,” it’s mother versus daughter in this domestic drama that feels more like a cheesy soap opera.
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In “Four Good Days,” it’s mother versus daughter in this domestic drama that feels more like a cheesy soap opera.
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In a post-pandemic world, going outside your home to interact with strangers seems a wild experiment, something “The Outside Story” relates to.
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Bridesmaids for arm-wrestling, ‘Golden Arm’ proves that boys aren’t the only ones who can carry a film with stupid macho humor and improv craziness.
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‘Without Remorse’ moves well and has stakes, but ultimately suffers from a Jack Ryan deficiency.
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Following the economic collapse of a town in rural Nevada, Fern (Frances McDormand) packs her van and explores an unconventional life in the vast landscape of the American West.
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Ed Helms and Patti Harrison shine in a different kind of romantic comedy.
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A gore-happy love letter to a notoriously violent video game, ‘Mortal Kombat’ is the film that fans of the franchise have been waiting for.
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‘Wildcat’ is little more than torture porn with all the foreplay and none of the payoff.
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Written and directed by Ryan Spindell, the new horror anthology The Mortuary Collection stars Clancy Brown and Caitlin Custer in a collection of four tales of ever-expanding terror, surrounded by a frame story which weaves in and out of the installments themselves.
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Tina Turner has had a life so extravagant and inspiring, it was high time her story finally be told on film for her audiences to once more fall in love with her.
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Yes, there are human beings in ‘Godzilla vs. Kong,’ but they matter very little in comparison to everything else that happens during the epic showdown of these two legendary Titans.
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‘Godzilla vs. Kong’ isn’t so much good, but rather good enough, sacrificing character work and dialogue for kick-ass action set pieces.
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‘The Father’ is a personal and painful look at the effects of memory loss and loss of reality for aging Anthony Hopkins.
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‘Zack Snyder’s Justice League’ is the better version of a bad movie, filled with long, drawn-out scenes that fail to advance plot nor develop character.
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