‘French Exit’ is less of a film and more of a collage of character quirks mashed together into something resembling a coherent narrative.
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‘French Exit’ is less of a film and more of a collage of character quirks mashed together into something resembling a coherent narrative.
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‘The Father’ is superb, and gives a voice and a face to an affliction that is too often limited to those suffering on the periphery of it.
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Writer/director Garin Hovannisian’s Truth to Power, a new documentary on System of a Down frontman Serj Tankian, will likely entrance fans of the band looking to get an in-depth tale of the politically-active singer and musician, but anyone else in search of a focused tale will find the film desperately lacking.
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‘Minari’ is an instant American Classic about the American Dream to a Korean family finding themselves cultivating a farm in rural Arkansas.
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‘Nomadland’ is a stunning character study incorporating meditations on aging, legacy, industrialization, and the vanishing American middle class.
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The latest film from Adam Egypt Mortimer, ‘Archenemy’ (out February 16 on DVD and Blu-ray from RLJE Films), sees the writer/director once again applying his independent lens to a new genre.
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This distasteful witch trial horror offering from Neil Marshall has a heavy-handed tone, clunky dialogue, and a refusal to concede to the realities of basic human physiology.
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‘The Night’ starts strong following the story of a married couple with many issues trapped inside a haunted hotel. Kourosh Ahari sets up his film well, but things take a turn for the worse with a complicated direction in the second half.
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‘Savage State’ is narratively vacant, historically nonsensical, and emotionally barren. Skip it.
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A gritty meditation on class, globalization, family, and destiny, ‘The White Tiger’ is the story of one man’s struggle with his destiny.
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Were it not for the fact that it’s drenched in violence, blood, and assorted alien fluids, the heart of ‘Psycho Goreman’ makes it charming enough to watch with your kids.
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‘Promising Young Woman’ is an exploration of sexual assault and accountability in a post-#MeToo era aware of the present yet largely foggy on the past.
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‘Greenland’ is an emotional, prescient suspense drama that’s got no right being as good as it is.
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There’s a lot to take from Steve Byrne’s ‘The Opening Act,’ but the main takeaway is if you’re willing to take a chance, enjoy it while it lasts, rather than worrying about what happens if it doesn’t go exactly as planned.
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