Director John Strysik’s 1995 feature ‘The Spirit Gallery’ is a hallucinatory shot-on-video oddity which manages to take a familiar plot and turn it into something special.
{ Comments on this entry are closed }
Reviews
Tense, gripping, beautiful, and brutally relentless, director Sam Mendes has achieved something extraordinary with his newest feature, ‘1917.’
{ Comments on this entry are closed }
Don’t for one second try to tell me that it is even in the same league of mediocrity as the prequel trilogy.
{ Comments on this entry are closed }
The kids will have fun at ‘Spies in Disguise.’
{ Comments on this entry are closed }
Greta Gerwig has absolutely knocked it out of the park with her take on Louisa May Alcott’s ‘Little Women,’ which is as affecting as it is relevant.
{ Comments on this entry are closed }
It’s pretty awful, but ‘Cats’ is somebody’s kink, somewhere.
{ Comments on this entry are closed }
Star Wars, at its best, explores these kinds of messy, difficult places in an arc mythic setting, better allowing us to delve into those emotional pits contained within us. Not this one.
{ Comments on this entry are closed }
A ripped-from-the-headlines drama with timely themes and an A+ cast, ‘Bombshell’ has everything it needs to succeed, yet sucks all the same.
{ Comments on this entry are closed }
‘The Madness Within’ is a sex-and-drug fueled bore and seems like a total vanity project from writer-director-actor Hunter G. Williams.
{ Comments on this entry are closed }
Director Adam Egypt Mortimer has made a quality sophomore outing, with traces of other twisty real-or-not movies, that’s totally worth catching.
{ Comments on this entry are closed }
Jennifer Reeder’s ‘Knives and Skin’ is less about plot or genre, and more about feeling our way through the movie, and coming out the other side with a sense of having experienced something with wonder and curiosity.
{ Comments on this entry are closed }
Queen & Slim follows the story of a young couple on the run from the law after the murder of a police officer in an act of self defense. The film is powerful and will leave you with a plethora of conflicting emotions.
{ Comments on this entry are closed }
[Rating: Rock Fist Way Up] Love and hate operate on opposite sides of a famously thin line, as they both require commitment and passion that draw from a very personal well of emotion. To hate with a purpose is to invest deeply in that person or object, and like love, this passion does not come […]
{ Comments on this entry are closed }
A classic parlor mystery whodunnit with Agatha Christie sensibilities and the sheen of America’s 2019 sociopolitical landscape, ‘Knives Out’ is as smart as it is fun.
{ Comments on this entry are closed }
Based on the adolescence and young adulthood of Shia LaBeouf, ‘Honey Boy’ crackles with the pain and depth of a scribe pinning their heart to the wall.
{ Comments on this entry are closed }