‘Cold War’ is a gorgeously shot, ill-fated yet passionate sweeping romance set against the harsh back drop of 1950s post-war Europe.
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‘Cold War’ is a gorgeously shot, ill-fated yet passionate sweeping romance set against the harsh back drop of 1950s post-war Europe.
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Well, here’s the furthest thing from a nice mess to get into! A great biopic that conveys both laughs and heartwarming sentiments.
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Newcomer Angus Imrie is the best thing about Joe Cornish’s ‘The Kid Who Would be King,’ an Arthurian tale for the tween set.
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Survival, conflict, and a little bit of meth keep this survival thriller moving.
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If Sarah Paulson’s Dr. Staple is looking for a character with delusions of grandeur in this film, she might not have to look further than the director himself.
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Romance ruins bromance in badly written ‘The Upside.’
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‘Burning’ is the ultimate meme of “You vs. the guy she tells you not to worry about,” shrouded in a tense mystery.
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The most provocative thing about this rote RBG biopic is the title.
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Hirokazu Koreeda’s award-winning ‘Shoplifters’ deserves the accolades for its beautiful, bittersweet family portrait.
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‘Vice’ follows up McKay’s masterful work with ‘The Big Short’ by blending dynamic character work with a large-scale sociopolitical autopsy.
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Susanna Bier and Sandra Bullock’s ‘Bird Box’ sadly has more in common with the M. Night Shyamalan disasterpiece ‘The Happening’ than anything else.
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‘Ben is Back’ is a tale of redemption, forgiveness and the unconditional love between a parent and a child.
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‘Welcome to Marwen’ deals with PTSD much like it’s resident dolls, in an artificial and very plastic nature.
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