Hirokazu Koreeda’s award-winning ‘Shoplifters’ deserves the accolades for its beautiful, bittersweet family portrait.
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Hirokazu Koreeda’s award-winning ‘Shoplifters’ deserves the accolades for its beautiful, bittersweet family portrait.
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‘Vice’ follows up McKay’s masterful work with ‘The Big Short’ by blending dynamic character work with a large-scale sociopolitical autopsy.
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Susanna Bier and Sandra Bullock’s ‘Bird Box’ sadly has more in common with the M. Night Shyamalan disasterpiece ‘The Happening’ than anything else.
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‘Ben is Back’ is a tale of redemption, forgiveness and the unconditional love between a parent and a child.
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‘Welcome to Marwen’ deals with PTSD much like it’s resident dolls, in an artificial and very plastic nature.
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Guys. This is the worst one. And I love it.
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A deep in the weeds historical epic, Mary Queen of Scots takes a big bite, yet finds trouble in the chewing.
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Light, refreshing, optimistic, and altogether lovely, ‘Mary Poppins Returns’ is everything a fan of the original could hope for.
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‘Spider-Verse’ is perfect holiday family fun.
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‘Roma’ is a stunning tour de force from a craftsman operating at the absolute peak of his game.
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Though excellently acted, ‘The Favourite’ is bleak with some pacing problems.
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This steampunk adventure based on a YA series likely to bore moviegoers and disappoint fans of source material.
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Sweden’s official entry into the upcoming Oscar race ‘The Guilty’ takes hard look at heroism in tense, subtle thriller.
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‘Green Book’ is an enjoyable film with solid acting, but it brings up a lot of big questions it doesn’t bother to answer.
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‘Ralph Breaks the Internet’, Disney’s first sequel in nearly two decades, is full of nostalgia, tech-savvy surprises, and heart.
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