‘Ferrari’ is a mixed bag of uneven performances arranged by a casting department without an atlas and a script without a compass.
{ Comments on this entry are closed }
Reviews
Cooper throws the whole bag of awards season tricks at the wall in ‘Maestro,’ sacrificing visual and thematic cohesion to the artistic shotgun approach.
{ Comments on this entry are closed }
Haunting, stark, and honest in ways that movies rarely dare to be, ‘The Zone of Interest’ is as merciless as its featured characters.
{ Comments on this entry are closed }
Disney’s 100th Wish comes to life! But is the magic there?
{ Comments on this entry are closed }
The Capital is hungry for more, and a prequel at that!
{ Comments on this entry are closed }
The Trolls get the band back together and the results are better than you might think.
{ Comments on this entry are closed }
‘Rustin’ is a fitting, though sometimes uneven, tribute to a man more than worthy of some credit for his work behind history’s curtain.
{ Comments on this entry are closed }
Spending Christmas with the ones you absolutely hate! Bring on good tidings.
{ Comments on this entry are closed }
A fragment of a good idea burdened by a lack of company, ‘Screwdriver’ has only one storytelling move and little else to support even that.
{ Comments on this entry are closed }
Priscilla Presley’s story of how a teenage girl fell in love with one of the biggest celebrities ever comes alive.
{ Comments on this entry are closed }
‘Divinity’ is an organized collision of bad choices and even worse execution.
{ Comments on this entry are closed }
‘Five Nights at Freddy’s’ delivers fan delight, but it’s PG-13 rating and odd origins make it kind of weird for the rest of us.
{ Comments on this entry are closed }
After a record-selling sold out tour, Taylor Swift hits the BIG screen and doesn’t disappoint.
{ Comments on this entry are closed }
It looks good and is stocked with quality performances, yet nothing about She Came to Me comes across as relatable or actionable.
{ Comments on this entry are closed }
An interesting idea with good intentions smothered by clichéd writing and sophomoric directing, Miranda’s Victim is a clinic in telling vs. showing.
{ Comments on this entry are closed }