Crammed full of heart, genuine emotions, and the thrill of an underdog fighting to the top of the heap, Cassandro is ‘Rocky’ with glam and no gloves.
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Crammed full of heart, genuine emotions, and the thrill of an underdog fighting to the top of the heap, Cassandro is ‘Rocky’ with glam and no gloves.
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‘Golda’ maneuvers through the personal, professional, spiritual, and historical to draw out the essence of a complicated and consequential world leader.
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‘Sympathy for the Devil’ is a straightforward mystery thriller boasting strong performances that mask an overall dearth of narrative depth.
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The father of the atomic bomb has an existential and moral crisis.
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‘Oppenheimer’ continues Nolan’s streak of exceptional movie production.
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‘Mission Impossible: Dead Reckoning Part One’ is a non-stop thrill ride with unbelievable action pieces that work overtime to make it the best action movie of the year.
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What pushes ‘Dead Man’s Hand’ from merely bad to bracingly awful is the film’s failure to connect with any trope, motif, or symbol of the Western genre in a meaningful way.
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Despite ridiculous plot motivations by the film’s antagonist, ‘Indiana Jones and the Dial of Destiny’ is a fun, predictable thrill ride into nostalgia.
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‘Asteroid City’ is predictably heavy on style, surprisingly robust in substance, yet curiously short on structure and emotional impact.
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And then the fire nation….fell in love with water.
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‘The Flash’ overly complicates itself by unnecessarily repeating story beats, but it’s lighthearted, funny, and entertaining if you can get past Ezra Miller’s egregious offscreen behavior.
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The creation of the spicy Cheeto is more fantasy than fact.
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‘Spider-Man: Across the Spider-Verse’ might be one of the best freaking movies, live action or animated to literally exist in the history of mankind.
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