Spending Christmas with the ones you absolutely hate! Bring on good tidings.
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Reviews
A fragment of a good idea burdened by a lack of company, ‘Screwdriver’ has only one storytelling move and little else to support even that.
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Priscilla Presley’s story of how a teenage girl fell in love with one of the biggest celebrities ever comes alive.
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‘Divinity’ is an organized collision of bad choices and even worse execution.
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‘Five Nights at Freddy’s’ delivers fan delight, but it’s PG-13 rating and odd origins make it kind of weird for the rest of us.
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After a record-selling sold out tour, Taylor Swift hits the BIG screen and doesn’t disappoint.
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It looks good and is stocked with quality performances, yet nothing about She Came to Me comes across as relatable or actionable.
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An interesting idea with good intentions smothered by clichéd writing and sophomoric directing, Miranda’s Victim is a clinic in telling vs. showing.
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Crammed full of heart, genuine emotions, and the thrill of an underdog fighting to the top of the heap, Cassandro is ‘Rocky’ with glam and no gloves.
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‘Golda’ maneuvers through the personal, professional, spiritual, and historical to draw out the essence of a complicated and consequential world leader.
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‘Sympathy for the Devil’ is a straightforward mystery thriller boasting strong performances that mask an overall dearth of narrative depth.
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Now on Sale: Existential Crisis Barbie
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The father of the atomic bomb has an existential and moral crisis.
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[Rating: Solid Rock Fist Up] Only in Theatres. It’s slightly crazy they’ve made something like 6 or 7 (who’s counting??) Transformers movies, at least 3 G.I. Joe movies, including that awful Snake Eyes spin-off a few years ago. I know — all of those movies are awful — also there is a Monster High movie. […]
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‘Oppenheimer’ continues Nolan’s streak of exceptional movie production.
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