Henry Cavill and Armie Hammer trade in the same kind of faux-clever one-upsmanship that Holmes and Watson do in ‘Sherlock Holmes,’ with similarly weak dialogue but barely a quarter of the charm.
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Reviews
Freed from the constraints of the mystery genre and having a detective/investigator as a main character, Jules Dassin’s 1950 film Night and the City is downward-spiral noir in its purest form.
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Dark Places suffers from its commitment to its mediocre source material, and the horrendous Fantastic Four is a intro course in how not to write a screenplay.
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[Rating: Minor Rock Fist Down] Joel Edgerton wears many hats in The Gift as writer, director and actor, but none of them fit particularly well, here. The Gift plays like an early draft of a Twilight Zone episode before Rod Serling tossed it out and started over or saved it for Night Gallery. Jason Bateman plays Simon, a successful salesman who […]
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The Mission: Impossible series is really hitting its stride.
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Rusty Griswold takes his own family on a road trip to “Walley World” in order to spice things up with his wife and reconnect with his sons.
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The Tribe is a viciously effective film. Its ending in particular is incredible and relentless. The Tribe will make you feel deeply, but the dark emotional place it takes you, may not be safe for most audiences.
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Tangerine, now showing at the Tivoli in Kansas City, is a sleazy, comical adventure story about a spurned transsexual prostitute out for revenge after she’s released from the county jail.
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My Beautiful Laundrette, out now in a new, restored 2K digital transfer on Criterion Blu-ray, takes place in a specific setting and with such specific characters that, even though the place and time feels very unfamiliar, is rendered relatable with an expressionistic tone by a humanistic director who coached some true, raw performances — including one from then up-and-comer Daniel Day-Lewis.
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It’s the deeply earnest performances from Gyllenhaal, Forest Whitaker, Oona Laurence and Rachel McAdams — and the natural tendency to get behind the underdog — that keeps Southpaw going, even when a crushing inevitability hangs over the entire movie.
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Rudd is his usual likable self, and he’s perfect for a role that requires a lot of exasperation. He’s an everyman that’s easy to root for from the get-go, and his droll sense of humor allows him to comment on the stranger goings-on with the appropriate amount of “WTF?”
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Lila & Eve is an interesting exploitation/psychodrama about a grieving mother who takes the law into her own hands after her son is killed in a drive-by shooting.
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Trainwreck still follows lots of typical rom-com formulas, but it also proves that there is still life left in these formulas, as long as there is true chemistry and tiny subversions along the way.
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The 1927 Ernest Hemingway short story The Killers was adapted to film twice in a span of less than 20 years, producing two fantastic films which share some of the same themes, but in every other respect couldn’t be farther apart. The fact that The Criterion Collection has updated their previously issued double-movie DVD and has just released it on Blu-ray is real cause for celebration.
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While this might be least-known of director Jack Hill’s efforts, even within the pantheon of work he did for Corman’s New World Pictures, it’s definitely worth a closer look.
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