Thanks to a script by John Scott 3 and direction from Henry Hobson, Maggie ends up being efficient, smart and actually about something.
{ Comments on this entry are closed }
Reviews
The most notable thing about The D-Train, opening in theaters today, is Jack Black’s transformation into a desperate loser who cannot express the repressed feelings of love that he has for an old high school friend.
{ Comments on this entry are closed }
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
{ Comments on this entry are closed }
If these costumed super heroes are truly the gods of our time and the films that they are in each summer are our contemporary mythological canon, then these films should reflect our current understanding of each other, including visual representation of women and minorities, instead of parading out old narrative tropes and stereotypes as if they were steadfast truths.
{ Comments on this entry are closed }
Rating: Minor Rock Fist Down Sequels are tough. Even if you’ve made a wildly successful first film. Even if you’ve had more than six movies to establish your continuity. Even if you have the deep pockets of a major studio like Disney. Even if you’ve got a director who’s incredibly good at writing ensembles. Sequels […]
{ Comments on this entry are closed }
In the classic 1941 comedy Sullivan’s Travels, available now in a sterling new digital restoration on Blu-ray from The Criterion Collection, writer/director Preston Sturges stumps for the value of pure, unadulterated laughter in motion pictures.
{ Comments on this entry are closed }
You can’t blame Laugh Killer Laugh for reaching hard to come across as a gritty crime film in the vein of numerous East Coast crime movies, because the film achieves a kind of off-kilter genuineness that only certain B-movies can achieve.
{ Comments on this entry are closed }
Ex Machina does what excellent science fiction always does. It uses the tenets of the genre to pose difficult questions about our human existence.
{ Comments on this entry are closed }
Most people can skip Roar, but if the confusing anomalies of cinema draw you in like a magnet, then you must see Noel Marshall’s cinematic madness on the big screen.
{ Comments on this entry are closed }
Two new DVD releases from Music Box Films explore unusual communities. Happy Valley shows the collective denial of a community shaken by accusations of abuse against one of its most prominent members, while Antarctica: A Year on Ice romanticizes a group that chooses to live far from civilization.
{ Comments on this entry are closed }
Ultimately True Story fails to create any real suspense, its only saving grace is the compelling nature of its source material.
{ Comments on this entry are closed }
Despite being billed as being from “master of Filipino sleaze, Cirio Santiago,” the exploitation flick “The Muthers” is surprisingly good-natured.
{ Comments on this entry are closed }
Furious 7 is exactly what you’d expect if you’ve seen any of the later entries in the franchise, watched any of the trailers, seen the poster with the parachuting car or heard Diesel’s claim about it winning Best Picture – genre ridiculousness with a couple of good stunts.
{ Comments on this entry are closed }
With this new Criterion Blu-ray (and DVD) reissue, Ride the Pink Horse should take its place among the film noir genre as one of the greats.
{ Comments on this entry are closed }
If you’re looking to get beyond Sergio Leone’s Man with No Name films and want to explore the world of Italian Western cinema, this is an excellent start. As part of Arrow’s first batch of releases here in the United States, they’ve managed to hit it right out of the park.
{ Comments on this entry are closed }