A story about the holding patterns people put themselves in while waiting for life to happen to them, “Living” is Bill Nighy at his best.
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A story about the holding patterns people put themselves in while waiting for life to happen to them, “Living” is Bill Nighy at his best.
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Five pounds of movie stuffed in a 10-pound bag, “Alice, Darling” is less a story and more a snapshot: teasing the profound while never quite arriving there.
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Not nearly fun enough to exist as pure escapism, and far too ridiculous to take at face value, ‘Plane’ is a vessel without a (air)port.
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Too long and with no idea how to put a bow on all of this, ‘Babylon’ fizzles out with the same tragic whimper that characterizes its doomed characters.
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Cameron’s complete mastery of the action form combined with his virtual reinvention of the mo-cap format puts ‘The Way of Water’ on a whole other level.
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A heartbreaking love story for the holidays.
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This take on ‘Pinocchio’ is both entertaining and insightful, and presents the story in a visual format that is ideally suited for this telling.
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‘Violent Night’ is crude, dumb, overly violent and just flat-out boring as hell. It’s literally the white elephant gift of Christmas movies…..ugh. What else ya got??
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Steven Spielberg finally tells his story in the family drama “The Fabelmans.”
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The downfall of a Hollywood powerhouse is detailed in ‘She Said.’
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‘Black Panther: Wakanda Forever’ is an emotional second offering that is visually stunning and features powerful performances from the women in the film. It’s just way too long.
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‘Nocebo’ is another chapter in Lorcan Finnegan’s fantastic running series of ‘Twilight Zone’-esque explorations of humanity’s load-bearing failures.
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The story of Emmett Till finally gets told and the pain of one mother’s fight for justice begins.
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The Rock cosplays Black Adam and crashes the DC universe in one of the most emotionally uninteresting and generic superhero movies ever produced.
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