Pixar deals with the most challenging thing in life: growing up and turning into a giant red panda!
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Print Reviews
Blessed with a simple conceit (stuck on a haunted island with no way off), ‘Offseason’ never comes close to bringing all its disparate elements together.
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‘The Batman’ is a mixed bag, and too often forgets what makes its eponymous superhero so interesting in the first place.
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‘The Burning Sea’ matches the scope and vibe of its Norwegian disaster film predecessors while not quite clearing the same bar on quality.
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‘Big Gold Brick’ suffers from an unsympathetic, emotionally frantic lead and about six-too-many subplots within a broader story that can’t manage them.
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‘Death on the Nile’ is a slow cruise on a river of doom.
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Mr. Moon takes a trip.
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[Rating: Minor Rock Fist Down]Only in theaters Friday, February 11 Yawn. That was my first reaction when the credits rolled on Death on the Nile, the follow up to 2017’s Murder on the Orient Express, and yet another adaptation of Agatha Christie‘s great body of work. Unfortunately, the film is unable to breathe the same […]
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‘Jackass Forever’ somehow remains timely, side-splittingly funny, and absolutely, 100% essential.
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Narratively rich and stocked with complex characters played by actors at the top of their games, ‘Parallel Mothers’ is as fascinating as it is moving.
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‘Dawn Raid’ offers up a slick, interesting, and engaging floor-model documentary that does all the expected things, yet does them exceptionally well.
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Plagued with a main character problem and some clunky exposition, the sum of the parts for ‘See For Me’ amounts to a surprisingly good time.
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Keeping in mind that there’s been an entire generation of movie-goers since 2003’s ‘The Matrix Revolutions’ was on screen, it may not play as the “greatest hits” compilation that it will for older patrons.
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‘Spider-Man: No Way Home’ offers a satisfying endcap to not just Holland’s trilogy, but for the Spider-Man character writ large.
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Spielberg’s reimagining of a classic is a flat-out masterpiece.
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