The latest installment in a sluggish franchise frantically fizzles.
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Print Reviews
In a future where clones are a norm for those terminally ill, they also get rights to battle against their real selves.
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At once a send-up of Hollywood as well as a heartfelt exploration of success and legacy, ‘The Unbearable Weight of Massive Talent’ is poignant and fun.
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‘Unplugging’ is a Hallmark movie that tries to have a little edge. The themes are out dated and the comedy falls flat. Matt Walsh and Eva Longoria struggle to hold onto the chemistry that can make a film about a couple’s digital detox work.
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‘The Northman’ might be a little too bloody or juicy for some, but that’s only because Eggers has left so much for audiences to sink their teeth into.
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‘Ambulance’ is fun enough at times to justify its existence, yet remains tonally inconsistent with a dash of thematic schizophrenia.
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Full of laughs from beginning to end and supported by a top-notch cast, one could do worse than spending a few hours getting lost with Channing and Sandy.
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Take “Boogie Nights” and mix it with “The Texas Chainsaw Massacre” to give you a product of shocking discovery.
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Too much lurking around sinks this ‘Deep Water’ down hard.
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Pixar deals with the most challenging thing in life: growing up and turning into a giant red panda!
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Blessed with a simple conceit (stuck on a haunted island with no way off), ‘Offseason’ never comes close to bringing all its disparate elements together.
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‘The Batman’ is a mixed bag, and too often forgets what makes its eponymous superhero so interesting in the first place.
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‘The Burning Sea’ matches the scope and vibe of its Norwegian disaster film predecessors while not quite clearing the same bar on quality.
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‘Big Gold Brick’ suffers from an unsympathetic, emotionally frantic lead and about six-too-many subplots within a broader story that can’t manage them.
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‘Death on the Nile’ is a slow cruise on a river of doom.
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