Mr. Moon takes a trip.
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Mr. Moon takes a trip.
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[Rating: Minor Rock Fist Down]Only in theaters Friday, February 11 Yawn. That was my first reaction when the credits rolled on Death on the Nile, the follow up to 2017’s Murder on the Orient Express, and yet another adaptation of Agatha Christie‘s great body of work. Unfortunately, the film is unable to breathe the same […]
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‘Jackass Forever’ somehow remains timely, side-splittingly funny, and absolutely, 100% essential.
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Narratively rich and stocked with complex characters played by actors at the top of their games, ‘Parallel Mothers’ is as fascinating as it is moving.
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‘Dawn Raid’ offers up a slick, interesting, and engaging floor-model documentary that does all the expected things, yet does them exceptionally well.
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Plagued with a main character problem and some clunky exposition, the sum of the parts for ‘See For Me’ amounts to a surprisingly good time.
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Keeping in mind that there’s been an entire generation of movie-goers since 2003’s ‘The Matrix Revolutions’ was on screen, it may not play as the “greatest hits” compilation that it will for older patrons.
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‘Spider-Man: No Way Home’ offers a satisfying endcap to not just Holland’s trilogy, but for the Spider-Man character writ large.
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Spielberg’s reimagining of a classic is a flat-out masterpiece.
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‘Don’t Look Up’ hits too close to the COVID mark, inviting its audience to live in a fictional hell only slightly worse than their reality.
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Mike Mills’ ‘C’mon C’mon’ is one of the most intimate, charming movies of the year thanks to top notch performances and gorgeous cinematography.
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“Silent Night,” the new festive, apocalyptic film, is an only-sometimes-successful dark comedy.
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‘Macbeth’ is built like some kind of cinematic fantasy sports lineup and executed with all of the ease of an all-star team playing a no-pads scrimmage.
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The making of the greatest tennis players of all time.
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