‘tick, tick…BOOM!” tells the life of an artist who wanted so much, but sacrificed the little slice of love and friendship to find his momentum.
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Print Reviews
[Rating: Solid Rock Fist Up] In theaters only on November 19 I’m going to preface my review by just noting that I have had an undying love for Ghostbusters since I saw it on the big screen at Bannister Square in Kansas City, Mo. in 1984. I tolerated and accepted the weaker sequel and even […]
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In Kenneth Branagh’s sublime film ‘Belfast’ he uses a young lad in 1960s Ireland to tell his own story of growing up through troubling times.
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‘The Beta Test’ is a peek behind the showbiz curtain, looking less at the product and more at the obsolete machinery struggling to churn it out.
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An interesting if somewhat under-baked story with captivating imagery and unparalleled needle-drops, ‘Last Night in Soho’ is decent if unspectacular.
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Exciting, interesting, transportive, and seemingly pulled straight out of the mind of Frank Herbert, ‘Dune’ is the sci-fi experience of the season, and the movie fans of the book deserve.
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This ‘Sopranos’ movie prequel maintains the texture and voice of the groundbreaking show while never achieving its character or story depth.
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St. Vincent and Carrie Brownstein wrote and star in ‘The Nowhere Inn,’ a meta-mockumentary about the absurdity of stardom and celebrity. Full of humor and the occasional suspense, Clark and Brownstein work wonders together.
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‘The Eyes of Tammy Faye’ showcases the best performances of its leads’ careers, utterly wasting them on branded image propaganda.
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‘Shang-Chi and The Legend of The Ten Rings’ stars Simu Liu as Shang-Chi, who must confront the past he thought he left behind when he is drawn into the web of the mysterious Ten Rings organization.
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‘No Man of God’ is not a film that Ted Bundy would have enjoyed, but it’s the one his victims deserve.
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‘Shang-Chi and the Legend of the Ten Rings’ succeeds where others have faltered due to its vice-like grip on the larger Marvel formula and an embrace of genre.
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‘The Suicide Squad’ is a bloody hit. Full of humor, lovable new characters, and more action than you could ask for, ‘The Suicide Squad’ showcases the potential the original never lived up to.
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‘The Green Knight’ is ‘Excalibur’ on mescaline; it is ‘Monty Python and the Holy Grail’ crossed with ‘2001: A Space Odyssey.’ It is also spectacular.
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‘Stillwater’ is a messy, unfocused tangle of a movie made only marginally watchable because of the superb work of its lead.
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