Although ‘Coming 2 America’ has its heart is in the right place, the sum total is little more than a PG-13 rehash of older, better material.
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Although ‘Coming 2 America’ has its heart is in the right place, the sum total is little more than a PG-13 rehash of older, better material.
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Far from perfect, ‘Keep an Eye Out’ gets as close to a complete, fulfilling cinematic experience as one might ever hope for from Quentin Dupieux.
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[Rating: Solid Rock Fist Up] Available now on the Arrow Player streaming service. “We all want what we don’t have…” That line perfectly summarizes everything in The Stylist. It tells a tale about a lonely, unassertive Midwestern hairdresser (Najarra Townsend) who tries to balance her unstable fascination with other women’s hairstyles by scalping the heads of her […]
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‘French Exit’ is less of a film and more of a collage of character quirks mashed together into something resembling a coherent narrative.
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‘The Father’ is superb, and gives a voice and a face to an affliction that is too often limited to those suffering on the periphery of it.
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Writer/director Garin Hovannisian’s Truth to Power, a new documentary on System of a Down frontman Serj Tankian, will likely entrance fans of the band looking to get an in-depth tale of the politically-active singer and musician, but anyone else in search of a focused tale will find the film desperately lacking.
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‘Minari’ is an instant American Classic about the American Dream to a Korean family finding themselves cultivating a farm in rural Arkansas.
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‘Nomadland’ is a stunning character study incorporating meditations on aging, legacy, industrialization, and the vanishing American middle class.
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This distasteful witch trial horror offering from Neil Marshall has a heavy-handed tone, clunky dialogue, and a refusal to concede to the realities of basic human physiology.
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‘The Night’ starts strong following the story of a married couple with many issues trapped inside a haunted hotel. Kourosh Ahari sets up his film well, but things take a turn for the worse with a complicated direction in the second half.
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‘Savage State’ is narratively vacant, historically nonsensical, and emotionally barren. Skip it.
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A gritty meditation on class, globalization, family, and destiny, ‘The White Tiger’ is the story of one man’s struggle with his destiny.
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Were it not for the fact that it’s drenched in violence, blood, and assorted alien fluids, the heart of ‘Psycho Goreman’ makes it charming enough to watch with your kids.
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‘Promising Young Woman’ is an exploration of sexual assault and accountability in a post-#MeToo era aware of the present yet largely foggy on the past.
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