Print Reviews

‘The Beach Boys’ unfolds with the ease and faux complexity of an archived episode of VH1’s Behind the Music, with little more depth and even less insight.

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Imaginary friends learn to cope once their kids grow up, and seek the help of a young girl to find new homes.

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A brand new era means a brand new ape in a daring quest for freedom.

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An adorable story between the bond of two lost souls; a man and a river otter.

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A possessed deck of playing cards. What’s the worst that could happen?

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Every Pop-Tart has a story.

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A hot and steamy tennis drama for fans of the game.

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Family can get complicated when revenge is afoot!

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Moritz Mohr’s ‘Boy Kills World,’ starring Bill Skarsgard, is a hilarious, hyper violent, genre-bending romp supported by excellent cast and top-notch voiceover.

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An assembly of moments and ideas in search of a more stable narrative to bring them into focus, ‘Hanky Panky’ is a sketch collection posing as a movie.

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Alex Garland’s “Civil War” is an immersive dystopian think piece.

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A haunted-house creature feature with creep-tastic bona fides, ‘Sting’ is a masterclass in tight, smart, and efficient filmmaking.

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The search for the biggest problemista begins with a baker’s dozen.

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A wannabe talkshow hosts makes a bargain for more than just good ratings on Halloween night.

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An ugly, joyless, uninspired, lazy legacy rehash, this new ‘Road House’ is a letdown from the first punch to the last.

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