Indie psychothriller ‘Long Lost’ is a twisty, weird ride.
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Print Reviews
‘Storm Boy’ is a powerful family film about the love and bond between a boy and a pelican.
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Emilio Estevez’s new movie ‘The Public’ offers great cast, but manufactured feels due to a lackluster script.
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A light-hearted sports documentary that recalls Major League Baseball’s investigation into the scandal of Biogenesis clinic’s illegal substance abuse in 2013.
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Read the review if you wanna know what’s in it. Shazam!
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In ‘The Wind’, one woman’s fear of isolation and the dark on the undeveloped plains leads to sinister happenings around her cabin.
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‘Division 19’ is The Hunger Games meets The Truman Show, with just a hint of V for Vendetta, yet bad. Really, really bad.
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Hilary Duff and Daniel Farrands disrespect the dead in ‘The Haunting of Sharon Tate.’
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Olivia Wilde frees the abused in a strong debut by Sarah Dagger-Nickson.
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‘The Hummingbird Project’ is an interesting enough, if predictable, rumination on the current state of the American dream.
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Michael Winterbottom’s latest thriller follows Dev Patel on a journey across Pakistan and India on what should’ve been someone’s wedding day.
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The true story of the 2008 Taj Hotel terrorist attack in Mumbai where hotel staff risk to protect their guests.
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Jordan Peele’s sophomore flick, Us, is a chilling throwback to Hitchcockian psychological thrillers with a terrifying performance from Lupita Nyong’o.
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Julianne Moore is Gloria Bell, a woman looking for love on the dance floor and dancing to her own beat.
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‘Dragged Across Concrete,’ like Mel Gibson’s casting in it, works better in theory than in practice if a person thinks about it for more than a minute.
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