‘Wrath of the Titans’ is fluff, for sure, but it’s not even lighthearted cotton candy. It’s more like a convenience store burrito—it just kind of drags you down after a while.
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‘Wrath of the Titans’ is fluff, for sure, but it’s not even lighthearted cotton candy. It’s more like a convenience store burrito—it just kind of drags you down after a while.
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The young-adult book series by Suzanne Collins that has taken the country by storm gets its first movie adaptation as ‘The Hunger Games’ hits theaters.
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‘Jeff, Who Lives at Home’ is a low-key comedy filled with excellent, naturalistic performances.
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Since its story inspired every mainstream fantasy right up to ‘Avatar,’ ‘John Carter’ may seem a little old-fashioned, but it’s a solid piece of fantasy entertainment that’s equal parts corny and poignant.
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Directed by French filmmaker Michel Hazanavicius, The Artist may look like an art film, but it’s anything but. It’s a good, old-fashioned, formulaic, Hollywood romantic comedy rise-and-fall story told with a modern sensibility and easily accessible by mainstream audiences.
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Director Daniel Espinosa presents ‘Safe House’ with lots of handheld shaky-cam work and uncomfortable close-ups to make it seem more realistic, which is good—because if you think too much about the plot, you may realize it’s pretty silly stuff.
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With the success of this weekend’s low-budget found-footage superpower movie ‘Chronicle,’ we thought it would be fun to look back in the Scene-Stealers vault to four years ago when director Matt Reeves and producer J. J. Abrams hoisted ‘Cloverfield,’ a monster movie firmly rooted in the lo-fi-meets-CGI aesthetic, on the world.
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What makes ‘Chronicle’ different from every other superhero movie out there is that it’s presented as found footage, meaning it’s supposedly filmed by the teenagers, their friends, and existing security cameras.
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‘Man on a Ledge’ is so tired and hackneyed and straight out of a bad 80s TV show that there’s even scene where one of them has to disable a timer with seconds left and Worthington is yelling “Don’t cut the red wire”!
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‘Extremely Loud and Incredibly Close’ is supposed to be about a precocious little boy learning from his grief, but it comes out all wrong, despite the presence of Tom Hanks.
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‘Carnage’ is a hilarious new comedy starring Jodie Foster, Kate Winslet, John C. Reilly, and Christoph Waltz as upper-middle-class parents in Brooklyn who are a little too self-obsessed.
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‘Tinker Tailor Soldier Spy’ is the movie adaptation of John Le Carre’s 1974 novel about the hunt for a Soviet double agent at the top of the ladder in the British secret service. Gary Oldman plays the man charged with figuring out who the mole is. The audience, however, is challenged with trying to figure out what the hell is going on.
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‘War Horse’ is essentially a trite, manipulative soap opera run through the lens of World War I to give it a lot of historic and artistic sensibility.
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Cameron Crowe has this special ability to take the formulaic cheesiness of a normal script and give it a sense of freshness, so that we are having a good time, even if we are knee-deep in cheese dip.
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The Adventures of Tintin offers calorie-free empty thrills.
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