“If Will Smith wins, he’s going to have the speech that people talk about for years.” -Joe Jarosz, February 10, 2022 We’ve done this before, people! The bullpen of writers…
[Rating: Solid Rock Fist Up] In Theaters and VOD on February 21 If America can repackage (Den of Thieves) or reimagine (The Town) Heat every couple of years, why can’t…
A reverse 'Lord of the Flies' with 'The VVitch' vibes, 'The Damned' explores the moral cancers that humanity lets fester and blossom in both life and death.
‘The Beach House’ is absolutely one of my favorite horror films of the year, so I was thrilled to get a chance to hop of the phone with director/writer Jeffrey A. Brown to discuss how this excellent piece of small-budget terror came to be.
There’s a lot to take from Steve Byrne’s ‘The Opening Act,’ but the main takeaway is if you’re willing to take a chance, enjoy it while it lasts, rather than worrying about what happens if it doesn’t go exactly as planned.
The superhero genre gets darker in Adam Egypt Mortimer’s newest feature Archenemy. To get out of a world of hyper-violent crime, two teenagers partner with a drunken man who claims to be a superhero from another dimension.
‘Dear Santa’ examines Santa’s helpers, hundreds of volunteers and postal workers who make sure the letters to the Big Guy become Christmas wishes to remember.
Anchored by a career-best performance by Mikkelsen and a thoughtful script that understands its characters, ‘Another Round’ is black comedy at its best.
Its only fitting to end with weird year with the possibly the weirdest Christmas movie of all time. Fatman answers the age old question of “What if Santa was actually badass?” Gibson and Goggins star in the bloody Christmas epic.
Director Andre Gower’s effusive documentary, ‘Wolfman’s Got Nards,’ about the 1987 cult horror flick ‘The Monster Squad’—which he starred in as a kid—will please die-hards.
I Am Greta touches on the rise in popularity of Swedish Teenage activist Greta Thunberg. Showing the highs and the lows of Thunberg’s activism on climate change, the film takes audiences on an inspiring emotional rollercoaster.
‘Synchronic’ starts as a mind-bending psychedelic mystery and turns into a bland showcase of the scientific method in action. Anthony Mackie is good as the leading man, but he can’t save the lackluster script by himself.
‘The Devil Has a Name’ has a few bright spots thanks to its cast, yet never manages to bring all its pieces together in a way that makes good use of them.