'Death of a Unicorn' is fun, interesting, and good (enough), though shoddy CGI work and a somewhat flat performance from Paul Rudd keep it from realizing its full potential.
'Novocaine' is fast and at times funny, thanks to a solid performance from Jack Quaid, but it struggles to stay interesting beyond the movie's gimmick.
“If Will Smith wins, he’s going to have the speech that people talk about for years.” -Joe Jarosz, February 10, 2022 We’ve done this before, people! The bullpen of writers…
‘The Way Back’ is a solid and entertaining flick even if it’s devoid of any true originality within the confines of the two genres it’s kicking around in.
‘Escape from Pretoria’ is an exhilarating escape film with a powerful message. Radcliffe doesn’t shine in his role of real-life political activist Tim Jenkin, but the characters motives are so pure it’s hard not to get invested.
‘Guns Akimbo’ may become better known as “that movie where Harry Potter has guns bolted to his hands,” and that’s a pretty apt elevator pitch of the movie.
An exploration of Hollywood’s casting couch culture pre-#MeToo, ‘The Assistant’ does a great job setting the stage for its story, yet fumbles telling it.
If you’re a fan of genre cinema, actor Munro Chambers is a rising star. He appeared in one of the best small-ensemble black comedies we’ve seen in years, ‘Harpoon,’ wherein his character undergoes transformations both physical and emotional, really making for a bleakly hilarious viewing. We spoke with Munro Chambers by phone about his career, and the intricacies of ‘Harpoon.’
Once again it is time to gather together and watch wealthy, attractive people hand eachother tiny statues made of gold! Yes the Oscars are here and Scene Stealers is joining together yet again with Screenland Armour to host the best viewing party of them all this upcoming Sunday, February 9th.
Guy Ritchie’s newest film The Gentlemen is a movie so fast-paced and full of twist that if you’ll be utterly confused if you get up to go to the bathroom. The film has a great cast and fun moments, but some pretty serious flaws.
Richard Stanley’s adaptation of H.P. Lovecraft’s ‘Color Out of Space’ teeters on the edge of greatness many times, but never fully commits to its cosmic horror.