'Death of a Unicorn' is fun, interesting, and good (enough), though shoddy CGI work and a somewhat flat performance from Paul Rudd keep it from realizing its full potential.
'Novocaine' is fast and at times funny, thanks to a solid performance from Jack Quaid, but it struggles to stay interesting beyond the movie's gimmick.
The macho, Rambo-esque energy throughout ‘Disturbing the Peace,’ combined with its social politics, make it a thoroughly ugly and distasteful experience.
Laden with British character actors and featuring a whip-smart story, ‘A Serial Killer’s Guide To Life’ (out January 13 on iTunes and Digital HD), takes the road movie formula and turns it into a dryly black comedy about finding one’s true self.
Director John Strysik’s 1995 feature ‘The Spirit Gallery’ is a hallucinatory shot-on-video oddity which manages to take a familiar plot and turn it into something special.
As Scene-Stealers.com enters our 15th year of bringing you unique perspectives on current movies, we polled our critics for their own Top 10 list of 2019’s best movies, and these are the ones that made the cut.
Star Wars, at its best, explores these kinds of messy, difficult places in an arc mythic setting, better allowing us to delve into those emotional pits contained within us. Not this one.
“1917,” Sam Mendes’ look at a secret mission during World War I, was named the Best Film of the Year by the Kansas City Film Critics Circle. The film also took home honors for Mendes’ direction and for its cinematography.