'Death of a Unicorn' is fun, interesting, and good (enough), though shoddy CGI work and a somewhat flat performance from Paul Rudd keep it from realizing its full potential.
Star Wars, at its best, explores these kinds of messy, difficult places in an arc mythic setting, better allowing us to delve into those emotional pits contained within us. Not this one.
“1917,” Sam Mendes’ look at a secret mission during World War I, was named the Best Film of the Year by the Kansas City Film Critics Circle. The film also took home honors for Mendes’ direction and for its cinematography.
Jennifer Reeder’s ‘Knives and Skin’ is less about plot or genre, and more about feeling our way through the movie, and coming out the other side with a sense of having experienced something with wonder and curiosity.
Queen & Slim follows the story of a young couple on the run from the law after the murder of a police officer in an act of self defense. The film is powerful and will leave you with a plethora of conflicting emotions.
[Rating: Rock Fist Way Up] Love and hate operate on opposite sides of a famously thin line, as they both require commitment and passion that draw from a very personal well of emotion. To hate with a purpose is to invest deeply in that person or object, and like love, this passion does not come […]
A classic parlor mystery whodunnit with Agatha Christie sensibilities and the sheen of America’s 2019 sociopolitical landscape, ‘Knives Out’ is as smart as it is fun.
Based on the adolescence and young adulthood of Shia LaBeouf, ‘Honey Boy’ crackles with the pain and depth of a scribe pinning their heart to the wall.
The true story of Lakshmibai, the historic Queen of Jhansi who fiercely led her army against the British East India Company in the infamous mutiny of 1857