A reverse 'Lord of the Flies' with 'The VVitch' vibes, 'The Damned' explores the moral cancers that humanity lets fester and blossom in both life and death.
Deliberate and precise, ‘One Fine Morning’ pulls no punches while never going for the knockout blow, exploring life’s most desperate/cherished moments.
The ‘Children of the Corn’ remake derails from Stephen King’s original source and spurns religious zealotry for environmental lectures. Plus they show the monster. Now you don’t have to see it.
‘Ant-Man and the Wasp: Quantumania’ lacks the heart and soul that made us fall in love with Ant-Man and just isn’t the storytelling boost the MCU needed right now after some misfires from some of its big guns over the past year or so.
For what he hopes will be one last hurrah, a former male stripper heads to London with a wealthy socialite who lures him with an offer he can’t refuse…and an agenda all her own.
Five pounds of movie stuffed in a 10-pound bag, “Alice, Darling” is less a story and more a snapshot: teasing the profound while never quite arriving there.
Too long and with no idea how to put a bow on all of this, ‘Babylon’ fizzles out with the same tragic whimper that characterizes its doomed characters.
Cameron’s complete mastery of the action form combined with his virtual reinvention of the mo-cap format puts ‘The Way of Water’ on a whole other level.