In all, The Lone Ranger is a mixed bag, but it really just needs an edit and a decisive tone. Had it been 30 or 45 minutes shorter and more focused, it would have been a different film entirely.
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There is an extra prick of instinctive excitement in watching Safety Last! today because we know quite well that computer-generated effects didn’t exist in 1923. Besides the creative and thrilling staging of his building climb with an actual cityscape in the background (not a matte or a composite shot), the rest of Safety Last! is filmed with a real cinematic eye and the newly restored 2K digital film transfer looks fantastic.
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Having been available only on VHS and a bare-bones MGM “limited release” on-demand DVD since 2011, the Shout! Factory Blu-ray re-issue of Rolling Thunder is something to celebrate.
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The movie is so phenomenally average and uninspired, if you didn’t know it was behind the same people who did Bridesmaids you would assume it was done by a different, less talented group of people.
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Where ‘Olympus Has Fallen’ struggled to be Michael Bay-style action porn, director Roland Emmerich’s movie has a far better sense of humor and an understanding of the complete ridiculousness of its entire premise. Don’t get me wrong, the movie is dumb as dirt at times, but at least it knows this.
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How much do you love Animal House? I ask because the team behind Monsters University obviously holds it high regard. Over the years everything from Sydney White to Futurama has aped the story of rival fraternities battling it out on a college campus. Now it’s Pixar’s turn.
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This week, our west coast correspondent Warren Cantrell joins us to talk about The Bling Ring, the latest film from Sofia Coppola. Warren and Trey Hock have incredibly differing opinions on the film, so the two of them hash it out, in a thoughtful discussion.
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Anthony Ladesich‘s The Icarus 1 is an exceptional piece of filmmaking that makes the most of its five minutes and builds an engaging story through its visuals.
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As we watch Sofia Coppola‘s The Bling Ring we should be horrified at what we see, and know that there is no end in sight.
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Had Much Ado About Nothing come from a young director just beginning their career, it would seem an exciting, yet flawed introduction. Coming from Joss Whedon, one of the biggest and most established directors of our time, it seems stupid.
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There is an investigative aspect to the movie for sure, where Pitt and what is left of the American military and leadership explore options and hunches, but World War Z gets most of its mileage out of first-person danger. How would you react if fast-moving zombies were suddenly swarming you? What split-second decisions would you make?
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The Criterion Collection’s new Blu-ray of Ingmar Bergman’s extraordinary 1957 film Wild Strawberries is superlative and serves an a perfect introduction to the director’s work.
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Two suspense thrillers new out on Blu-ray showcase two completely different approaches to what may be considered the horror genre. The term has morphed a lot since the late 60s/early 70s and the rise of the exploitation films, but both Stoker and The Last Exorcism Part II have what can be considered classic horror elements.
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Our Seattle correspondent Warren Cantrell sits down with Kieran Darcy-Smith, the director of Wish You Were Here, starring Joel Edgerton and Felicity Price.
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