Starting this Friday the Tivoli is playing the documentary Finding Vivian Maier, which is a telling of director John Maloof’s discovery of an artist. Vivian Maier has quickly grown into an overnight Internet sensation within the public, but especially within the art community. Her images have been circulating through newspapers, Internet news feeds, and online image […]
{ Comments on this entry are closed }
Paul Lazarus proposed a documentary that would follow Dean Kamen as he took an invention from idea to implementation. The invention that Kamen was working on was the Slingshot, and it was built to solve the world’s water problems.
{ Comments on this entry are closed }
Gore Vidal: The United States of Amnesia focuses on the opinionated, outspoken, and witty Gore Vidal.
{ Comments on this entry are closed }
Not only does it feature two bumbling pals as “heroes” and comic relief, but The Hidden Fortress is a rollicking adventure, complete with castles, lots of extras and landscape shots, and Kurosawa’s first Tohoscope widescreen presentation
{ Comments on this entry are closed }
Unfortunately Darren Aronofsky‘s Noah strays from the philosophical, and into the strip-mined territory of fantasy and religious spectacle. At times, this is a Lord of the Rings reboot of The Ten Commandments complete with lava rock versions of the Ents.
{ Comments on this entry are closed }
‘Sabotage’ has a ton of forced macho camaraderie among its actors and a series of grisly murders that even Hannibal Lecter would find classless.
{ Comments on this entry are closed }
A stellar performance from Jake Gyllenhaal, and the incredible visual styling of director Denis Villeneuve almost save the cryptic and confusing script that undermines Enemy.
{ Comments on this entry are closed }
The know-it-alls, the geeks, the jocks, the smart-asses, and the Jesus freaks are clearly defined groups, and it can be tough if you don’t fit in anywhere.
{ Comments on this entry are closed }
In The Grand Budapest Hotel director Wes Anderson seems to fully resolve two warring sides of his creative personality, the need to craft exciting visual moments and the ability to build a cohesive long form narrative.
{ Comments on this entry are closed }
Tony Revolori plays the young lobby boy in training in Wes Anderson’s new film The Grand Budapest Hotel. Scene Stealers contributor, Trey Hock was able to catch up with Tony and asked him a few questions about the experience.
{ Comments on this entry are closed }
The concept of Punk In Africa (out now from MVD Visual) is amazing – underground bands, in the time of apartheid, integrating racially and playing music that speaks truth.
{ Comments on this entry are closed }
Perhaps more than any other art-house European film of the 1960s, Ingmar Bergman’s striking 1966 masterpiece Persona embodies the period.
{ Comments on this entry are closed }
Veronica Mars, Zac Efron and Seth Rogen, and more .. Here’s some capsule reviews from the SXSW Film Festival. More on the way!
{ Comments on this entry are closed }
The leather man panties and hyper-stylized violence is back! Plus, more boobs! 300: Rise of an Empire is a teenage boy’s wet dream.
{ Comments on this entry are closed }
Directed by Cynthia Hill, Private Violence is one of the most heart-wrenching documentaries that I have seen at True/False Fest this year.
{ Comments on this entry are closed }
