2020

Despite the name, this science fiction horror film shares very little with the 1933 classic. Nevertheless, it is a must-see.

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‘Guns Akimbo’ may become better known as “that movie where Harry Potter has guns bolted to his hands,” and that’s a pretty apt elevator pitch of the movie.

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‘Olympic Dreams’ is a touching love letter to the lonely souls of the world who realize no one is ever lost if in good company.

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‘The Night Clerk’ is interesting, yet the central mystery’s vacancy and lack of urgency ultimately holds the whole effort back.

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An exploration of Hollywood’s casting couch culture pre-#MeToo, ‘The Assistant’ does a great job setting the stage for its story, yet fumbles telling it.

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If you’re a fan of genre cinema, actor Munro Chambers is a rising star. He appeared in one of the best small-ensemble black comedies we’ve seen in years, ‘Harpoon,’ wherein his character undergoes transformations both physical and emotional, really making for a bleakly hilarious viewing. We spoke with Munro Chambers by phone about his career, and the intricacies of ‘Harpoon.’

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Once again it is time to gather together and watch wealthy, attractive people hand eachother tiny statues made of gold! Yes the Oscars are here and Scene Stealers is joining together yet again with Screenland Armour to host the best viewing party of them all this upcoming Sunday, February 9th.

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A World War II Holocaust-adjacent film that’s appropriate for the whole family, ‘Waiting for Anya’ succeeds on its own merits.

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Richard Stanley’s adaptation of H.P. Lovecraft’s ‘Color Out of Space’ teeters on the edge of greatness many times, but never fully commits to its cosmic horror.

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‘The Wave’ is a visually impressive trip, but ultimately a very hollow experience.

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The acting is engaging, but the ensemble drama ‘Three Christs’ is let down by a dull script.

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The macho, Rambo-esque energy throughout ‘Disturbing the Peace,’ combined with its social politics, make it a thoroughly ugly and distasteful experience.

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Laden with British character actors and featuring a whip-smart story, ‘A Serial Killer’s Guide To Life’ (out January 13 on iTunes and Digital HD), takes the road movie formula and turns it into a dryly black comedy about finding one’s true self.

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‘Inherit the Viper’ is a slick, well-crafted journey into the heart of an opioid-ravaged America that is disappearing in pockets day by day.

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Director John Strysik’s 1995 feature ‘The Spirit Gallery’ is a hallucinatory shot-on-video oddity which manages to take a familiar plot and turn it into something special.

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