‘The Luckiest Man in America’ feels like a missed opportunity, and a tease of a better movie hiding somewhere in the margins of this one.
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‘The Luckiest Man in America’ feels like a missed opportunity, and a tease of a better movie hiding somewhere in the margins of this one.
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‘The Owners’ is a slow-burn home-invasion thriller that’s not very thrilling or worthy of Maisie Williams’ talent.
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‘Then Came You’ seems content to just trample over Manic Pixie Dream Girl story beats and characters that don’t offer anything new to the formula.
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Currently playing at this year’s Seattle International Film Festival, Gold is a rare treat. A feel-good movie about an exiled dad looking to reconnect with his family, this Irish flick finds a way to tickle all the right spots without squeezing the sappier portions too terribly much.
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