A genre-bending romp through the old west that mixes cowboys with cauldrons, ‘The Pale Door’ is bloody good fun.
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warren cantrell
A suspense thriller desperately short on suspense, ‘The Silencing’ feels less like a fully formed movie and more like the first cut of a first draft.
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‘The Tax Collector’ has an interesting premise, yet is a cobbled together mess of almost-art that recycles interesting components of better work.
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‘Yes, God, Yes’ is a decent flick that takes a run at a very real, albeit uncinematic, moment in every person’s life (sexual discovery).
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If a person ever asked themself what it might have looked like if Alfred Hitchcock screwed around in the slasher genre, ‘The Rental’ might be the ticket.
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In ‘The Rental,’ the acting’s competent, the score ups the tension fairly effectively, and the game of waiting to see whose secrets and failures will be discovered (and how) is entertaining enough.
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‘Mr. Jones’ is a well-acted, timely, and important film that nevertheless finds itself bogged down by the larger narrative and choppy character work.
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Well shot, tightly scripted, and superbly acted by Joseph Gordon-Levitt, ‘7500’ soars.
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A blood and gore-soaked romp through a Home Alone-esque scenario with 21st century sensibilities, ‘Becky’ is all sorts of fun.
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A jumbled, chaotic mess of imagery, character sketches, bad jazz, and even worse storytelling, ‘Adrift in Soho’ is just that: adrift.
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A feel-good story based on real events and people, ‘Military Wives’ is often breezy, sometimes poignant, and rarely offensive.
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Liver-spotted social security benefactors with distended bellies and sweat-stained collars looked disdainfully upon the artistically minded film lovers of tomorrow.
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Satanic movies are on the way, kids!
Find out why demon possession and Satan movies are the next trend on the ever-revolving wheel of horror headed to your multiplex.
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