Terrifying, mesmerizing, beautiful yet terrible: this new version of ‘Nosferatu’ hits for the horror cycle and never looks back.
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willem dafoe
Beetlegeuse is back and on the run from not only sand worms, but his ex wife all while helping Lydia and her own family problems.
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Frankenstein’s Monster takes a holiday to discover herself.
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‘The Northman’ might be a little too bloody or juicy for some, but that’s only because Eggers has left so much for audiences to sink their teeth into.
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A private eye who struggles with Tourette’s syndrome and has a photographic memory, tries to solve the mystery of his mentor’s death in 1950s New York City.
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On this cold and blustery October morn I must collect my thoughts on this, a most difficult and rocky production, and present them as I see fit. ‘The Lighthouse’ deserves your support.
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Guys. This is the worst one. And I love it.
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The Florida Project, Sean Baker’s new, funny, thoughtful, poignant and beautiful film is a realist fairy tale, a gorgeous 35mm technical experiment, a heartbreaking character drama and a staggering documentation of the many possible meanings of the word “bitch”.
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‘The Great Wall’ won’t be winning any awards, but still manages to entertain with a fun story of fantasy and history on a collision course.
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Rating: Solid Rock Fist Up Where did this one come from? Keanu Reeves may be one of the most laid back celebrities on the planet, but in his 12 years since completing The Matrix Trilogy, his career has been all over the place, taking heartbreaking roles in films such as A Scanner Darkly or playing up […]
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Philip Seymour Hoffman anchors this John le Carré adaptation and makes it compelling, even when the film’s rambling tendencies threaten to derail it.
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In The Grand Budapest Hotel director Wes Anderson seems to fully resolve two warring sides of his creative personality, the need to craft exciting visual moments and the ability to build a cohesive long form narrative.
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Out of the Furnace is one of those movies that spends so much time building mood and character that by the time the plot really kicks in, you realize it was in the service of nothing terribly special.
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Rather than portray Christ (Willem Dafoe) as a person with a benevolent perma-smile whose divine light shines 24/7 , Martin Scorsese (raised a Roman Catholic) and co-screenwriter Paul Schrader (raised as a Calvinist) dare to capture his humanity.
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After a week off to recover from the KC Oscar Party 2012, Eric, Trey and Trevan return, ready to talk about John Carter, Silent House and Friends With Kids.
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